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Then there are other visual cues to differentiate Soliman: the land dotted with pyramids and palm trees of Africa, the walking cane with a golden lion, and his white turban, 'its folds immaculately rendered, a stand-in for the 'Oriental,' the exotic. These signal his unbreakable link to Africa, to the world of the 'other.'įor Rachel Doležal, the calls to action, and the question of how to live a socially conscious life, brought about a serious reckoning, says Esi Edugyan in her third Massey Lecture called America and the Art of Empathy - What it Means to ‘Pass.’ (Nicholas K. 'These are the Europeanized aspects of the portrait, and they are used to suggest the rational, the civilized.'

His placement against the storm-blackened sky almost suggests he is mounted on a horse. Soliman was a symbol of assimilation, but Edugyan points out his portrait highlights how he's viewed differently from other Europeans.Įdugyan notes Soliman appears regal and confident in his portrait, one hand tucked gently into his waistcoat in a pose commonly used to convey dignity and decorum. He was deeply respected, moving easily through intellectual circles - playing chess with Austrian emperor Franz Joseph. Soliman was purchased by a Sicilian aristocratic family who educated him before he was given to an Austrian prince. (Courtesy of Österreichische Nationalbibliothek)

Portrait of Angelo Soliman by artist Johann Gottfried Haid. They are rarely, until the twentieth century, just human beings, living human lives.'Įdugyan points to several examples of problematic art in her lecture, including an 18th-century portrait by Johann Gottfried Haid of Angelo Soliman - a Nigerian who was taken as a child and brought to Europe through a slave-trading route. Blacks are an expression of status, of Christianity's reach, of white morality.

'If one of the unavoidable eventualities of art is to act as social history, what story is being handed down to us? Black bodies are less living, breathing people than repositories for cultural anxieties. These images bear out across the long centuries of portraiture, and they amount to a verdict of sorts,' she says in her first lecture. 'The African as magus is a saint and bringer of gifts the African as savage inhabits a darkness so all-devouring only the light of Christianity can penetrate it.

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In 19th-century European art, Black people are presented as servants and curiosities, footmen, slaves, lady's maids and magi - a shallow representation of people who had full and rich lives. The acclaimed novelist has won many awards, including two Giller Prizes for Half-Blood Blues and Washington Black - both of which were also shortlisted for the Man Booker Prize. What social and political instincts inform our remembering how much are our omissions the result of apathy, of indifference?' 'I am not a historian, only a storyteller with an interest in overlooked narratives, and I've always been curious as to why we sideline some stories and mythologize others. LISTEN Author Esi Edugyan on issues of representation and belonging 'I wanted to know the living, breathing people who have remained beyond our sight, occupying the shadows,' Esi Edugyan writes in the book version of her Massey Lectures series, published by House of Anansi. The special is an adaptation of her six-part lecture series, which aired on CBC Radio in January.

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The award-winning Canadian author examines the relationship between art and race through the lens of visual art, literature, film and her own lived experience.Ī one-hour television special featuring Edugyan's lectures will air on April 30 on CBC TV and will stream online on GEM. Those are the questions Esi Edugyan explores in her CBC Massey Lectures, Out of the Sun: On Race and Storytelling. James Baldwin wrote: 'People are trapped in history, and history is trapped in them.'īut what happens when some people's stories get erased, neglected, forgotten in the making of our collective history? And how can we reclaim the stories of Black experience? *Originally published on January 24, 2022. The CBC Massey Lectures are available on CBC Listen, as well as several other popular podcast apps, including Apple Podcasts, Google Podcasts, Spotify and more. Watch Esi Edugyan Out of the Sun: The CBC Massey Lectures online at GEM or on CBC TV, April 30th at 7:00 p.m.